Case Study · Audio AutoMix

The automated audio pipeline for high-volume media.

Crosstalk rejection, ISO track organization, and broadcast loudness — automated inside your Avid Pro Tools session. No round-trip. No external app.

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Avid native integration

Writes directly into your Pro Tools session.

VidComply writes clip gain automation the same way a senior mixer would. Sessions arrive in any ingest format and leave as a structured AAF — timecode-locked, stems routed, ready for your console.

Native AAF in / AAF out
Session pipelinenon-destructive
AAF IN

Raw mic tracks

Timecode-locked, unorganized ISO channels straight from ingest.

analyze · write gain
AAF OUT

Automation embedded

Stems routed, clip gain lines written, Avid-import ready.

Method
Clip gain automation
Destructive
Never
Round-trip
None required
Crosstalk rejection

Thirty open lavs. One active speaker.

The other twenty-nine channels feed your mix with bleed, phase cancellation, and comb filtering. VidComply runs comparative waveform analysis across every ISO simultaneously — attenuating inactive sources with sub-millisecond precision, leaving only the dominant signal untouched.

Precision
Sub-ms
Channels analyzed
All, simultaneously
Beforeopen lavs
CH 01
CH 02
CH 03
CH 04
CH 05
Afterbleed removed
CH 01
CH 02
CH 03
CH 04
CH 05
ISO track organization

No mic template survives production.

Mic assignments are inconsistent across every episode. VidComply fingerprints each source, resolves channel identity dynamically, and routes every ISO into its correct stem — dialogue, M&E, SFX, or ambience. The session arrives at the console pre-routed.

Auto-routed stem tracks
Channel fingerprinting5 sources
Unorganized ISO
ISO_01 · unlabeled
ISO_02 · unlabeled
ISO_03 · unlabeled
ISO_04 · unlabeled
ISO_05 · unlabeled
Routed stems
DIALOGUE (DX)
MUSIC (MX)
EFFECTS (SFX)
AMBIENCE (AMBI)
DIALOGUE (DX)
Clip gain staging

The mixer makes creative decisions, not corrective ones.

Pre-fader normalization applied at the clip level — not on the fader, not destructively. Every whisper, every shout, every inconsistent recording level lands at a calibrated starting point before it reaches the console.

Target start band
−18 dBFS
Applied
At the clip
Clip gain · before → afterstaged
MIC 01
quiet
MIC 02
normal
MIC 03
hot
MIC 04
uneven
target start band staged level
Broadcast normalization

Eliminate hours of manual Pro Tools labor per episode.

VidComply scans the completed master using ITU-R BS.1770, applies the required level change, and exports a compliant broadcast or streaming deliverable without reopening the mix session. True Peak limits stay controlled without destructive pumping.

ITU-R BS.1770 · LKFS equivalent
Loudness scan → compliant master−23 LUFS
−23 LUFS target
IN
OUT
−18.4 LUFS measured−23 LUFS delivered
Measured
−18.4 LUFS
Level change
−4.6 dB
Session reopened
Never

See it live in your session.

Book a demo to see how VidComply handles crosstalk rejection, ISO routing, and broadcast delivery.