The Automated Audio Pipeline for High-Volume Media.

Crosstalk rejection, ISO track organisation, and broadcast loudness — automated inside your Avid session. No round-trip. No external app.

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Avid Native Integration Crosstalk Rejection Broadcast Normalisation

Avid native integration

VidComply writes directly into your Pro Tools session as clip gain automation — the same way a senior mixer would. Sessions arrive in any ingest format and leave as a structured AAF, timecode-locked, stems routed, ready for your console.

.aaf AAF IN Avid export raw mic tracks timecode locked VIDCOMPLY AUTOMIX analyze write gain non-destructive clip automation .aaf AAF OUT Avid import ready automation embedded stems routed Pro Tools session - clip gain automation written DX · MIC 01 DX · MIC 02 DX · MIC 03 DX STEM STEM ROUTING dialogue stem ready DX MX SFX AMBI stems routed clip gain lines

Crosstalk rejection

Thirty open lavs. One active speaker. The other twenty-nine channels are feeding your mix with bleed, phase cancellation, and comb filtering. VidComply runs comparative waveform analysis across every ISO simultaneously — attenuating inactive sources with sub-millisecond precision, leaving only the dominant signal untouched.

BEFORE - open lavs AFTER - bleed removed CH 01 CH 02 CH 03 CH 04 CH 05 CH 01 CH 02 CH 03 CH 04 CH 05 keep voice remove bleed active voice bleed clean voice only

ISO track organisation

Mic assignments are inconsistent across every episode — there is no template that survives production. VidComply fingerprints each source, resolves channel identity dynamically, and routes every ISO into its correct stem: Dialogue, M&E, SFX, or Ambience. The session arrives at the console pre-routed.

UNORGANISED ISO TRACKS ROUTED STEM TRACKS ISO 01 ISO 02 ISO 03 ISO 04 ISO 05 DIALOGUE (DX) MUSIC (MX) EFFECTS (SFX) AMBI (AMBIENCE) MX SFX DX DX AMBI AMBI SFX DX MX MX SFX AMBI AMBI AMBI DX MX SFX DX DX DX DX MX MX MX MX SFX SFX SFX SFX AMBI AMBI AMBI AMBI AMBI

Clip gain staging

Pre-fader normalization applied at the clip level — not on the fader, not destructively. Every whisper, every shout, every inconsistent recording level lands at a calibrated starting point before it reaches the console. The mixer makes creative decisions, not corrective ones.

RAW CLIP LEVELS STAGED CLIP GAIN MIC 01 MIC 02 MIC 03 MIC 04 MIC 01 MIC 02 MIC 03 MIC 04 normal quiet hot uneven 0 dB +18 -14 +8/-6 quiet / normal / hot source levels target start band -18 dBFS

Broadcast normalisation

Eliminate hours of manual Pro Tools labor per episode. VidComply scans the completed master using ITU-R BS.1770, applies the required level change, and exports a compliant broadcast or streaming deliverable without reopening the mix session. True Peak limits stay controlled without destructive pumping.

FINAL MEDIA IN BS.1770 LOUDNESS SCAN COMPLIANT MASTER .mov .wav ... final_mix.mov Finalised media ready for loudness scan broadcast target check measured loudness -18.4 LUFS broadcast target -23 LUFS level change -4.6 dB too loud by 4.6 dB prepare compliant master .mov .wav ... delivery_master.mov Broadcast/streaming deliverable -23 LUFS ITU-R BS.1770 · LKFS equivalent

See it live in your session.

Book a demo to see how VidComply handles crosstalk rejection, ISO routing, and broadcast delivery.

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